As I mentioned last week, I just finished Rebecca Traister’s latest book Good and Mad: The Revolutionary Power of Women’s Anger. I first read an excerpt from the book sometime in 2018 and was automatically engaged. I love women’s anger and I love reading about it more.
Early on in the book, Traister talks about the way women’s anger has been expressed in popular culture, specifically in the work of Beyonce. She talks about the video for “Hold Up” (from Beyonce’s Lemonade) and the way in which the fire hydrants that burst forth with uncontrollable water were reflective of a woman’s anger. Later, I was listening to the song and paid special attention to its lyrics. More than ever before, Beyonce’s refrain of “what’s worse/looking jealous or crazy” struck me. Even more so when she decides that she’d “rather be crazy,” suggesting that expressing her anger--and looking crazy--was better than sitting in bitter silence. For a long time I’ve been interested in how women’s expression of negative emotions, whether it be moroseness or anger, makes them monsters in the face of the world. And sometimes women do become monsters. Because at some point, it is exhausting to stay smiling while the patriarchy continues to stomp us into the ground. And so we rage. We use foul language and create “Shitty Media Men” spreadsheets and we act ‘crazy’ because it’s what we have to do to make things change. Traister’s book primarily focuses on the moment after the 2016 Presidential Election, but she recognizes that women’s anger and revolution is not new. It goes back to the centuries. To the French Revolution even. And it’s worked. It’s changed things. It hasn’t been neat or easy or consistent, but it has worked.
Throughout Good and Mad, Traister talks about the ways in which the expression of women’s anger can backfire. How the messiness of it can undermine or derail the revolution that we seek. But as Traister recognizes at the end of the book, we must go on. We must remember this anger. Because it is our driving force. And it will save us before it ever destroys us.
Good and Mad also made think about Solange’s “Mad” and the lyric where someone asks Solange why she’s mad, and she responds: “I got a lot to be mad about”
My friend Kyle made a playlist called “road trip with bloody tires” which is made for quiet and steamy summer mornings. It reminds me of something that would play all day in an old house, or as the background to scenes from Donna Tartt’s A Secret History. After giving this a listen put on Kelsey Lu’s “I’m Not in Love” which I asked to be put on the playlist but has yet to find its place there.
Been reading Tina Brown’s The Vanity Fair Diaries which makes me nostalgic for a certain literary New York crowd that I don’t think really exists; but I hope it doest. Brown’s writing is quick and sharp, making the book easy to pick up and put down—perfect for the last lazy days of summer.
Saw the new Netflix documentary on Cambridge Analytica, The Great Hack, and was mildly disappointed. It’s premise: how the influence of Cambridge Analytica over the 2016 U.S. presidential elections and Brexit, specifically the data harvesting, brought about new questions about data advocacy. Should’ve been vair interesting but focused mostly on Brittany Kaiser, a former employee at Cambridge Analytica, and one of the two whistleblowers who put it all out there. As I put it to my friend Charlie: it was a movie about young people choosing power and prominence above all. And I still don’t know how we’ll advocate for our data rights against increasingly powerful Tech.