Hokey Cokey with the Opposite Sex

THE VIDEO FOR “FOUR OUT OF FIVE”

Like any Arctic Monkeys fan, the announcement of the band’s latest and freshest album couldn’t have come soon enough. It’s been five years since AM, the album that made them so popular that you couldn’t visit an Aritizia without hearing a song from it, and I was jonesing for something new. I didn't know what to expect--I knew I wanted something different from AM, which felt a little too much like pop--but I was so pleasantly amused by the title, Tranquility Base Hotel + Casino that as soon as it popped up on my Spotify on the day of its release, I listened to it, despite the fact that I had been just about to go to sleep.

Tranquility Base Hotel and Casino has been both a surprise and a comfort. Upon first listen, I didn’t feel the same excitement that I’ve felt for other long-awaited music releases, (like Lorde’s Melodrama) but I didn’t completely dismiss it either. And although I couldn’t say that I loved it just yet, I found myself constantly putting it on, curious to discover all the creases and pockets of it all. It wasn’t until I listened to it with headphones, actually listened to it, not just played it in the background, that I began to connect with it. I think what had kept me curious was that, especially lyrically, the music felt like a throwback to their early music. I feel like Alex Turner's penchant for slightly kooky yet smart lyrics that could easily fit into a short story collection was a major part of why I ever fell in love with the band in the first place. A bit of that kookiness was lost with AM, made a brief appearance on The Last Shadow Puppet's most recent album (I still love the lyric: "It's love like a tongue in the nostril"), and has exploded on Tranquility Base. I can’t help but think about the poignancy of lyrics like “I launch my fragrance called “Integrity”/I sell the fact that I can’t be bought” (Batphone) and “The leader of the free world/Reminds you of a wrestler wearing tight golden trunks” (Golden Trunks), or one of my favourites: "Love came in a bottle with a twist-off cap" (Star Treatment).

There's been a lot of chat about how much this album, more than any others, has a really strong narrative. Alex Turner told Zane Lowe that he sees it to be like a collection of short stories. And the world that's built throughout the record is very clear and defined, that I feel like I'm a part of it. But apart from it's narrative brilliance, this album also feels like a very poignant commentary on the state of our world today. While not overtly political, it's hard to miss the concern about the way the world has changed, and the way it continues to change. The futuristic theme of the album feels like a sort of warning--we can look to the future all we want but it doesn't really change anything that's going on right now. Listening to the songs on tis album, I can't help but think about consumerism and gentrification, what it means to sell-out, and what the future of our world actually looks like. It makes me think about what it would mean to throw away our smartphones, and if any of us actually want to do it or if it feels good and smart to say it. Just like it used to feel good and smart to say that we would never be sell-outs.

Tranquility Base is the kind of album that you can't help but think about all the time, the kind of album that you're constantly making discoveries about. It makes a mark, one that can’t be easily washed off. It this amazing combination of art and storytelling and social commentary. It's the perfect "comeback album", and despite my initial reservations, I can confidently say: I love it.